If we seem to be focusing on broken characters exclusively, future authors, the reason for that is a fair number of creative writing courses and a lot of advice ties back to the sound bite I criticized here at the start of this series: the need to give characters flaws. Too often the “flaws” modern … Continue reading Writerly Sound Bites, Number 8: Character Progression – How Characters Broken by Trauma Recover and Rebuild, Part 1
Last week we discussed “shock and awe” events in three popular serials. These events were supposedly meant for character development, but they only succeed in destroying said characters, along with the canon and continuity of the franchise. However, one has to wonder just why the actions forced on the characters mentioned in the previous post … Continue reading Writerly Sound Bites, Number 5: Character Progression – Which Archetype Are You Using?
Ruminating on Kryal’s fan fiction story, The Dragon-King’s Temple (described here, and available to read through this link here), a little while ago, something about the story struck and stuck with me. For those who have not read it, this fan fiction tale crosses Avatar: The Last Airbender* with Stargate SG-1* in an original episode … Continue reading Thoughts on Trauma: How It Affects a Character’s Perceptions Before, During, and After Healing
This article is the third in a three part series dealing with the demise of characters in fiction. Part One and Two may be read here and here. Thus far these posts have focused primarily on the deaths of heroic major and minor characters, with some attention paid to minor villains. The reason this author … Continue reading Killing Characters, Part 3: The Case for the Death of the Main Antagonist
This article is the first in a three part series dealing with the three types of female heroines available to writers. Readers, you may remember that in the comments below my article “How Do You Create Strong Female Leads,” I promised to revisit the premise of that post in the future. This was due to … Continue reading The Three Types of Heroine: A Closer Study of What Makes a Strong Female Protagonist, Part 1
Misha Burnett made a comment on my article “How Do You Create Strong Female Leads?” where he suggested that an essay on Villainesses was in order. Specifically, he said, “Female villains who are schemers rather than fighters are somewhat more common, perhaps because it’s easier to write an unsympathetic manipulator than a sympathetic diplomat, but … Continue reading The Three Main Categories of Villainess