You can’t study men, you can only get to know them. – from C.S. Lewis’ That Hideous Strength Among the many items professional writers suggest aspiring authors read in order to refine their craft, psychology likely ranks somewhere in the top ten. The reason for this is simple: men are a product of their environment, … Continue reading Show, Don’t Tell: The Proper Use of Psychology in Fiction
This article is the third in a three part series dealing with the demise of characters in fiction. Part One and Two may be read here and here. Thus far these posts have focused primarily on the deaths of heroic major and minor characters, with some attention paid to minor villains. The reason this author … Continue reading Killing Characters, Part 3: The Case for the Death of the Main Antagonist
This article is the second in a three part series dealing with the demise of characters in fiction. Part One may be read here. Following last week’s post on the believability of a character’s demise we come to a seemingly inconsequential point. In fact, this detail has been taken so lightly of late that it has … Continue reading Killing Characters, Part 2: The Demise of the Foot Soldier
This article is the first in a three part series dealing with the demise of characters in fiction. One of the main literary movements of the last century, Realism, holds much of the modern literati in its thrall. Along with Naturalism and a resurgent Romanticism, this school of writing insists on killing off at least … Continue reading Killing Characters, Part 1: Is It Necessary to Make a Novel/Series Believable?
Clone Commander Wolffe and his Wolfpack. One of the items which the Star Wars prequels failed to properly utilize was the Old Republic’s clone troopers. While the writers in the Clone Wars TV series did an admirable job of developing said replicant soldiers as characters, their focus derailed earlier points made by the authors who … Continue reading The Reality of the Human Soul: How Sci-Fi and Fantasy Prove its Existence
There is a scene in the movie Pay It Forward where the main character’s single mother tells a friend about her relationship with her son’s social studies teacher. She admits to being nervous because their rapport seems to be taking so long to form. This prompts her friend to say, “Haven’t you ever gotten to … Continue reading Romance in Fiction: The Six Types of Amorous Subplot
This article is the fifth in a five part series dealing with the pitfalls and advantages of creating superpowered characters. Parts One, Two, Three, and Four may be read here, here, here, and here. Well, here we are, in the fifth part of this series on the pitfalls and advantages of creating superpowered characters! Previously … Continue reading The Final Chapter – 4 Ways to View Powered Protagonists