Well, readers, I am afraid I will not be able to put up my own Vocational Vivications post today. That had been my hope, but at the moment it is not feasible. There is just too much going on behind-the-scenes here at Song which needs this author’s attention for me to spare right now.
Until I am able to put up a Vocational Vivication of my own, please enjoy this article by K.M. Weiland:
Clues, mysteries, plot reveals, and plot twists—these are some of a writer’s stock tricks for hooking readers page after page. But as important as these tricks are, when they’re asked to bear the load of being the main attraction for readers, they too often turn into boring info dumps.
Imagine you’re reading a story in which the author has skillfully created some kind of mystery.
This mystery might be:
- The murder in a whodunit.
- A straightforward strategic puzzle focused on figuring out how to defeat the bad guys.
- Something more domestic, such as an ongoing question of a character’s parentage.
- Something simple and amusing, such as a character obsessively (and perhaps symbolically) trying to prove that a neighbor’s dog is digging holes in his yard.
- Less about proving a proposed solution and more about figuring out whether or not something mysterious is happening at all—e.g., is the new neighbor’s strange night activity a sign of something sinister?
The mystery could be the main focus of the story, with the protagonist’s main plot goal being the solution to the mystery (as in Chamber of Secrets). Or the mystery might just be a clever way to avoid info dumps while slowly trickling important information throughout the story (as in Half-Blood Prince).
Whatever the case, adding a mystery can greatly enhance your story’s readability. If you’re able to consistently present questions (whether implicit or explicit), you’re giving readers more reasons to keep reading. In addition to wanting to watch what happens to your characters, they now also want to know the answer to the questions you’re proposing.
But don’t miss the order of that last sentence. Readers are there first and foremost to see what happens to your characters. And this is where we encounter some of the problems you can run into if you’re relying too heavily on plot reveals to provide the entertainment factor.