Well, readers, my schedule is still full. That means I once again lack a Vocational Vivication of my own to post here. Since I am not sure yet when I will have one or more ready, for now I must eave you in K. M. Weiland’s care:
Critique: How to Use Paragraph Breaks to Guide the Reader’s Experience
Paragraph breaks are something akin to a writer’s turn signals. They silently—sometimes almost subliminally—tell readers what’s about to happen and how they should react.
As you may remember (or not) from school, a paragraph break in technical writing is meant to indicate a new thought. (I have clear memories of being required to find and underline the “topic sentence” that was the organizing thought of each new paragraph; it was a boring exercise, but looking back, I realize how well it’s served me.)
In fiction, we use the paragraph break a little differently (<—topic sentence!!!). Not only do our paragraph breaks signal a new thought, they can also be used to orient readers within the overall action: Who is acting? Who is speaking?
In ye olden days, what constituted a cohesive paragraph, even in fiction, was considerably more permissive. If you read the classics, you know it’s not uncommon to encounter paragraphs that last pages. These days, readers prefer to see more white space on the page. They want to read quickly, an ability aided by an author’s skillful use of “turn signals.”
Use paragraph breaks almost like punctuation, so you can guide your readers’ experience of your story’s action and pacing.