Well, I’m sorry to say it, readers, but I couldn’t get my next Vocational Vivication post up in time for this week. (Hey, they’re easier to read than to write! 😉 ) For today I must leave you in K.M. Weiland’s capable hands:
10 Advantages of Writing a Single-POV Story (What I Learned Writing Wayfarer)
FEBRUARY 4, 2019 by 85 COMMENTS
Multiple-POV story versus single-POV story? Which is the right choice for you? The answer depends on many factors, since every story is different. Knowing which approach to POV to choose isn’t difficult once you know how to choose.
My just-released historical-superhero/gaslamp-fantasy novel Wayfarer was the first ever single-POV story I’ve written. For years now, I’ve consistently been minimizing the number of POVs I use. (Behold the Dawn had six; Dreamlanderhad three; Storming had two.) Part of the reason for that trend has been nothing more than the subjective needs of the stories; but part of it has also been my own growing understanding of the importance of managing POVs to create a solid overall effect within a story.
Being confined to a single POV in writing about blacksmith-apprentice-turned-super-speedster-and-reluctant-hero Will Hardy challenged me in new ways and taught me about the value of a single-POV story. Certainly, there are just as many benefits to multiple-POV stories (and, indeed, my next couple books will return to featuring three POVs—which seems to be a sweet spot for me), but today I want to talk about the amazing power locked away within the restraint of a single-POV story.